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Archival Quality

The Gallery of Dynamic Realism wanted to produce prints that would be regarded as some of the finest quality prints available on the contemporary market. Abbey Walmsley wanted to extend her commitment to quality, inherent in the production of original Dynamic Realist works, into the printing process.

After much research and testing Abbey Walmsley partnered with Image Print Centre, a world-class, London based company recognised internationally for producing the highest quality fine art prints for the most discerning art galleries and museums.

The Gallery of Dynamic Realism offers extremely limited editions sizes compared to normal industry standards to establish exclusivity for our clients and to ensure they remain desirable and collectable to the market. We provide our print collectors with a certification of authenticity and warranty with each print.

Print Production

Print Production

The Gallery of Dynamic Realism offers Limited Edition Archival Quality Fine Art Prints of Original Oil Paintings and Pencil Drawings. To produce prints of the highest quality it is crucial to ensure the calibration throughout the printing process from scan to finished product is consistent using the most advanced knowledge in combination with the finest techniques and materials.

Cruse Scanner

The Gallery of Dynamic Realism utilises a sophisticated flatbed scanner – The Cruse Scanner. Operated by a museum trained craftsman with the experience to handle delicate originals, the Cruse Scanner reveals stunning trueness and accuracy in both colour and dimension.

Capturing the 3D qualities of the original Artworks Using syncron light modes

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These images illustrate part of the original oil painting 'Intent on Lunch.' Shown left is the area of water spray behind the salmon's dorsal fin.

The lower right image is a close-up of the top of the salmon's dorsal fin, illustrating the amazing three-dimensional clarity and quality produced by the Cruse Scanner

 

Archival Inks - Canon Lucia Pro 12-colour Ink System

The Gallery of Dynamic Realism uses Canon Lucia pro 12-colour ink system which achieves superior color expression and the highest possible image quality. Canon uses microencapsulated* colorants to more tightly place pigment ink when printing on glossy or semi-gloss paper. This has made it possible to increase the density of colorants on the paper and achieve an expanded color gamut. This technology also reduces the scattering of light by the printed surface and improves both glossiness and image clarity. The end result is vivid prints that are bright and clear. With LUCIA PRO ink, the microencapsulated colorants are densely arranged on the surface of the paper or canvas where they remain in place, expanding the overall color gamut. This makes it possible to achieve more vivid reds and dark areas, which are particularly prevalent in Dynamic Realism.

The Canon imagePROGRAF PR0-4100 printer uses Chroma Optimizer, a transparent ink developed by Canon that realizes even higher image quality when printing on glossy or semi-gloss paper or canvas. When someone looks at a print, the reflection of the lighting will affect the color they see. Chroma Optimizer controls such reflected light to ensure that the print faithfully reproduces the original work by keeping the vivid colors vivid and the light colors light while also making the dark areas even darker and ensuring that blacks actually look black. These unique attributes combine to create a truely Archival Quality print of enduring quality and beauty that will last for over 100 years.

Fine Art Printer - Canon imagePROGRAF PR0-4100

The Gallery of Dynamic Realism uses the Canon imagePROGRAF PR0-4100 44 inch wide format printer to provide unrivalled colour expression with precision printing for head-turning visuals. In combination with 12-colour LUCIA PRO pigment ink technology, the printer prints at a resolution of 2,400 x 1200 dpi using 18,432 nozzles.

Archival Canvas Prints - Canson® Museum Pro Canvas Lustre 385 gsm

The Gallery of Dynamic Realism uses Canson® Museum Pro Canvas to produce the finest archival quality reproductions. This top grade professional canvas is "OBA Free" (No Optical Brightening Agents) and manufactured with a high quality 100% pure cotton canvas base, coated with a new advanced technology of microporous coating.

The canvas is water resistant and specially designed for to produce true Fine Art Reproductions. It has a unique durable heavyweight quality that makes it ideal for fine art reproductions. It is pliable enough to withstand stretching for framing without sagging, and displays a subtle texture for a true artistic look and feel.

Archival Paper Prints - Canson® Infinity Photo Lustre Premium Resin Coated 310gsm

The Gallery of Dynamic Realism wanted to offer its print collectors extraordinary colour quality, that represents the colour of the original artworks accurately, consistantly and that would complement the three- dimensional image quality produced by the Cruse Scanner. We looked for a media that offered state of the art image stability of over 100 years and married well with the Canon imagePROGRAF PR0-4100 Printer. Canson® Infinity Photo Lustre Premium Resin Coated paper became the media of choice.

Canson® Infinity Photo Lustre Premium Resin Coated Paper consists of an alpha cellulose acid-free paper coated with a structured polyethylene and a microporous receiver layer. This finish gives a stunning lustre effect which meets the gallery's quality standards. This exceptional photographic paper has been designed to comply with the highest lifespan requirements.

Certification:

Limited Edition Archival Quality Fine Art Prints on canvas and paper come with a certificate of authenticity showing the print number, print date, artwork details, archival quality media details .... and the artists signature.

Canvas Prints - Stretching Service

We can also offer our canvas prints stretched on specialist hand-made Cornish Stretchers from TP Timber Stretchers. Due to the unique way these stretchers are made, they remain square and are shaped to not cut into the canvas when stretched. The prints are stretched at the Gallery in Switzerland before being shipped on to the collector.

All our canvas prints come with a black edge, this is wrapped around the stretcher bars so the edges of the stretched print are neat and can be hung without the need of additional framing.

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